Sybils Legacy - The Hunt Museum

A History of Limerick Lace, featured on Nationwide in 2019. Video Credit: RTE TV. Thanks to: Limerick Museum.  

Sybil's Signature Styles

Close-up of a vintage dress featuring intricate beige lace with a row of alternating blue satin panels. The pleated fabric adds texture and elegance.

Dress, Heiress/Sybil Connolly/Textile/20th century /Sybil Connolly Collection/CC0

Delicate black lace fabric featuring intricate floral patterns and swirling vines. The sheer texture gives a soft, elegant, and vintage feel.

Black Ilusion /Sybil Connolly /Textile/20th century /Sybil Connolly Collection/CC0

Close-up of intricate beige crochet lace with floral patterns, creating an elegant and delicate texture. The design conveys a sense of craftsmanship.

White crochet dress/Sybil Connolly/Textile/20th century /Sybil Connolly Collection/CC0

Close-up of an ivory dress features a textured, pleated fabric on top and a wide, woven belt at the waist. The design is elegant and intricate.

Wedding dress/Sybil Connolly/Textile/20th century /Sybil Connolly Collection/CC0

Rich red fabric with deep wrinkles creates a textured surface, casting subtle shadows. The bold colour brings a warm and inviting tone.

Dress, Red Wool Skirt/Sybil Connolly/Textile,Wool/20th century /Sybil Connolly Collection/CC0

Lace and linen were trademarks of Sybil Connolly designs. Lace was hand-made by women across Ireland, and was even dyed in bright colours for her dresses. Sybil said that “Irish linen is the most versatile fabric of all. You can sleep in it . . and wear it to a ball. And you can swim in it too”. She even made a strapless bathing costume of white table cloth linen with red, green and black fish patterns. Sybil was known for combining the finest lawn linen with handcrochet lace to make evening gowns such as the ‘Heiress’ dress. She created luxurious voluminous handkerchief linen blouses and skirts, and remarkably used nine yards of loose linen to make just one yard of tight pleats.

International Success

Stylized illustration on an orange Harper's Bazaar cover, September 1956. It features a woman's face in a hat with bold, black lines. Elegant tone.

Magazine, Harper's Bazaar, September 1956//Paper/20th century /Sybil Connolly Collection/In Copyright

Cover of Harper's Bazaar, September 1961. A woman in a blue coat is being styled by assistants. Bold text promotes fashion collections and D.H. Lawrence letters.

Magazine, Harper's Bazaar, September 1961//Paper/20th century /Sybil Connolly Collection/In Copyright

Magazine cover showing a woman in a flowing red cape and white gloves, standing elegantly outdoors. The backdrop is a textured stone wall with greenery.

Magazine, Life, August 10 1953 (cover)//Paper/20th century /Sybil Connolly Collection/In Copyright

A stylish woman in a red and polka dot outfit poses with a globe on the Vogue cover. She wears a white hat and gloves, exuding elegance and confidence.

Magazine, Vogue, March 1955/Vogue/Paper/20th century /Sybil Connolly Collection/In Copyright

Magazine cover of Vogue's International Fashions Issue, with a close-up of a woman in profile with vibrant red hair and stylish earrings.

Magazine, Vogue, March 1954//Paper/20th century /Sybil Connolly Collection/In Copyright

It wasn’t until 1952 that Sybil was “discovered” by the international fashion world. Lady Dunsany of Dunsany Castle in Co. Meath was an admirer of Sybil’s designs and held a fashion show in her home. In attendance was the editor of Harper’s Bazaar magazine, Carmel Snow, who would be hugely influential on Sybil’s rise to the top. Snow and Helena Rubenstein, head of a multi-million dollar American cosmetics industry, became champions of Sybil Connolly in America. They introduced her to the Philadelphia Fashion Group, a group of professional artists in beauty, fashion and interior design, whose founding members include First Lady Eleanor Roosevelt and cosmetic artist Elizabeth Arden. Sybil went on whirl-wind tours of America, Canada and Australia in the early 1950s, where her outfits of Irish lace, linen and tweed became must-have items. Her clothes appeared in a number of fashion magazines including Vogue, Harper’s Bazaar and Life Magazine, and they were sold in America’s oldest department store Lord and Taylor on Fifth Avenue, NYC.